Skip to content

Performance Art in Eastern Europe

  • Home
  • Research
    • Intro
    • Performance Art (as) Theory
    • Aesthetics of Documentation
    • State (Re)-Actions
    • Poetry & Performance
    • Subversive Affirmation. Kritik der Kritik revisited
    • Pair Performances
    • Post 1968 Sexuality in Performances
  • Statements
  • Events
    • Doing Performance Art History
    • Talks / Actions
    • Workshops
  • Publications
  • Exhibitions
  • Team
  • Contact
  • Facebook
  • Home
  • Research
    • Intro
    • Performance Art (as) Theory
    • Aesthetics of Documentation
    • State (Re)-Actions
    • Poetry & Performance
    • Subversive Affirmation. Kritik der Kritik revisited
    • Pair Performances
    • Post 1968 Sexuality in Performances
  • Statements
  • Events
    • Doing Performance Art History
    • Talks / Actions
    • Workshops
  • Publications
  • Exhibitions
  • Team
  • Contact
  • Facebook

performative censorship

Tag

“Stasi-Dada: How artists work with their Stasi records” by Sylvia Sasse

March 26, 2016May 5, 2018Blog

Usually, the official records of secret services reveal little far less about those being observed than they do about the various fears of those doing the observing. These fears can...

Subscribe via Email

Enter your email address to receive notifications of new posts by email.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy

© 2023 Performance Art in Eastern Europe. All rights reserved.